African Music – The Blog of Samite

Posts Tagged ‘Kenya’

The story of Uganda music is much like the tumultuous history of the country itself for the last 100 years.

The center of Ugandan music is the city of Kampala and the area of Wandegeya.  The musical icon of this region is Bernard Kabanda who played a form of music called Kadongo Kamu, meaning “one guitar”.   This style of sound is revered by the older people of the villages, though it is a hard sell to the younger generations who enjoy more complex sound involving more instruments.

The newest form of music in East Africa is called takeu.  It is borrowed from the first letters of Tanzania and includes sounds from Tanzania, Kenya and Uganda.

In the central area of Uganda are the people of Baganda who constitute one of the largest tribes there.  The King of Buganda is Kabaka and he is the customary patron of the music.  In this region music includes drums and expressive dances called the Nankasa, Amaggunju and Bakisimba.

Unlike other tribes in Uganda which rely heavily on percussive elements, the Baganda incorporate melody with instruments like the entongoli lyre, the ennanga harp, aerophonnes, idiophones and lamellophones.   One of the largest xylophones in the world comes from this area and it is called the madinda.

In central Uganda are the Langi tribe and they create music with a reliance on the thumb piano, or okeme.   This instrument was introduced to the region 100 years ago by the Congolese.  Their lyrics also closely resemble the rap music of America.  The dancing that accompanies this tradition of music is particularly lively and features much jumping and marching.

The uganda music industry is growing quickly and as much as 40 % of the sounds you hear on Ugandan radio stations are from local musicians, showing there is widespread support for this authentic music niche that is spreading worldwide.

Our friend Samite brings you a true authentic form of Ugandan music instilled in his childhood and delivered with all the passion that is the true Soul of Africa.  Watch the video on Samite’s main website and you will be moved by his description of his mother playing a stringed instrument stretched between a bent tree sapling and a tin cover.

You will help the cause and spread the joy of African Music by pre-ordering Samite’s forthcoming CD.

A close look at traditional African music reveals a spectrum of influences; from the Arabic seeds of the north and its contribution to Egypt and Carthage, there are dominant strains that evoke sounds of the Middle East.  Specific locales to be included in this realm are Tunisia, Algeria, Morocco and Mauritania.

It’s not exactly what one thinks about with Africa, however the Continent is vast and includes many ancient cultures.  Not to be forgotten are the Sudan and Ethiopia, all clustered in this unique area of northern Africa.

Southern, West and Central Africa are solidly sub-Saharan and lure influences from North America and Western Europe.   This is the music most often associated with “Africa”.  There is an emphasis on rhythm and dance.  Various work songs evoke the early history of music in antebellum America.  There are different songs to accompany marriage, childbirth and hunting.  Some songs repel evil spirits, some honor good spirits and much of it is political.

Sub-Saharan music incorporates four regions:  The eastern section of Uganda, Kenya, Rwanda, Malawi and Mozambique,  the South including Lesotho, Swaziland, Namibia and Angola; Central, Chad, Congo, Zambia and music of the Pygmies, and the west which houses Senegal, Guinea, Sierra Leone, Togo and Nigeria.

African music uses various techniques not associated with this continent, like yodeling and melisma.  A broad spectrum of instruments are used.  Drums, rattles and bells create memorable melody and rhythm.

There are several kinds of xylophone and lamellophone, trumpets and flutes, but the most distinctive is the drum and it comes in many shapes and sizes.

English is the common language of Africa however specific local dialects lend themselves to the music.  A native singer adds an authentic component to a song whereas other songs are automatic for a western ear.    That’s because cross-pollination of music across the globe has brought a new dimension to traditional African music.

We invite you to listen to Samite as he pleasures your senses with the sounds and culture of Uganda and Kenya where he learned his style and crafted his unique skill.  There is an order form on his main website for you to pre-order his latest CD.  We are all excited about its release.